1. On-Set & Dailies Workflow
Data Management & Offline Preparation
Ensuring data integrity from set to editorial while establishing the creative look early in the process.

- Dailies Processing & Color Pipeline: Development of custom Pre-Color LUTs aligned with the Director and Director of Photography’s vision.

- Data Ingest & Offloading: Secure, multi-copy backup protocols on set with strict metadata organization.

- Avid Editorial Prep: Fast, reliable proxy creation and media sync optimized for Avid Media Composer workflows.

2. Color Grading & Finishing
Conforming, Color Grading & Master Color
Translating picture lock into a refined visual experience using robust color management frameworks calibrated for modern display standards.

- Color Pipeline & Management: Advanced workflow management utilizing ACES (Academy Color Encoding System)
  or traditional color spaces to ensure absolute consistency, seamless camera matching, and pristine color fidelity from set to master.

- Conforming & Online Assembly: High-precision reconstruction of locked edits from native camera RAW files.

- Color Grading: Full SDR and HDR color grading in HD, 4K, HDR10, and Dolby Vision certified environments.

- Visual Finishing: Title design, cleanups, VFX compositing, final audio conformity, and subtitle embedding.

3. Mastering & Final Delivery
Cinema, Broadcast & Archival Deliverables
Rigorous Quality Control (QC) and technical compliance for international distribution channels, networks, and cultural archives.

- Cinema Mastering: Standard-compliant Digital Cinema Packages (DCP) for theatrical distribution.

- Broadcast & Streaming Deliveries: Multi-format exports tailored for TV networks and digital platforms (SDR & HDR).

- Archival Masters: Creation of uncompressed DCDM (Digital Cinema Distribution Master)
  and archival MXF files for long-term preservation and national cinematheques.